Good visuals do more than illustrate the job in front of you, they bring in bigger clients, hold the relationships you already have, and get your name repeated in rooms you are not in.
Geometry and materials are the easy part. The work worth paying for is finding what a project is about and building the image around that, the light you designed for, the one detail the whole scheme turns on, the reason someone would want to live in it. I come in as part of your team rather than as a supplier.
Volumetric views while the scheme is still moving, to test a layout and settle a decision with the client before it is drawn up properly.
Notes as a conversation. Materials get corrected against real samples and supplier codes as we go.
Final images of the finished scheme, framed and lit to be shown: press, portfolio and the pitch for the project after this one.
Yes, and it is worth doing properly. Send the supplier reference or a photograph of the real sample under neutral light; the first view is used to check the material against it before anything else is produced.
The images are rendered once at print resolution and cropped down for other formats, so a catalogue spread and a square post come from the same file rather than from two jobs.
Yes, catalogue-style images on white or a neutral sweep, and the same piece staged in a room.
That is workable. Sketches, dimensions and a material list are enough to start; the modelling is part of the job, not something you need to supply.
Most of the work is remote and always has been. Time zones have not been a problem so far.
Tell me about you and what you're working on. Whether you're looking for support on a specific project, want to explore an ongoing collaboration, or just want to find out if we're a good fit, I'd love to hear from you.
You can also send me an email to hello@uxbanos.com